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Though they've since made an effort to distance themselves from the record, much of the appeal of Yamo's Time Pie is attributable to the talent of Jan St. Werner and Andi Toma of Mouse on Mars. The duo was brought in to produce and write for the debut of this project by former Kraftwerk drummer Wolfgang Flür, and the album was recorded in their studio. The contributions of St. Werner and Toma, judging from the music they themselves were making during this period, were substantial. Time Pie's "Stereomatic (Stereomagic)" even goes so far as to take the backing music from Mouse on Mars' "Stereomission" and add a dreamy vocal melody, changing the feel slightly if not improving the track from its original version. The title track is also reminiscent of the warm, detailed electronic pop Mouse on Mars had just crafted with Iaora Tahiti, with Flür's expressionless voice anchoring the chorus. Indeed, Flür's idiosyncratic vocals pop up more frequently than some will care for (fortunately, there are also contributions from better singers) but, if you can deal with his odd vision, you'll be rewarded with extremely catchy and danceable techno-pop. ~ Mark Richardson, All Music Guide
All "SexyBack," all the time
Timberlake single continues reign atop Billboard Hot 100, while his second single, "My Love" featuring T.I., is the chart's greatest airplay gainer.
Justin Timberlake's "SexyBack" secures a fifth week atop the Billboard Hot 100, just as its parent album FutureSex/LoveSounds (Jive) remains No. 1 on The Billboard 200 for a second frame. "SexyBack" also leads the Pop 100 and Hot Digital Songs charts for a fourth week. Meanwhile, Timberlake's second single, "My Love" featuring T.I., is the Hot 100's greatest airplay gainer, rising 29 to 25.
Timberlake's "SexyBack."
On the Hot 100, Ludacris' "Money Maker" featuring Pharrell holds at No. 2, while the Fray's "How to Save a Life" rises 7 to 3 to reach a new peak and is the chart's greatest sales gainer. The 4 to 6 slots remain occupied, respectively, by Fergie's "London Bridge," Hinder's "Lips of an Angel," and Snow Patrol's "Chasing Cars."
JoJo's "Too Little Too Late" falls 3 to 7, Jibbs' "Chain Hang Low" sticks to No. 8 and Chingy's "Pullin' Me Back" featuring Tyrese reenters the top tier, ascending 15 to 9 to become his fourth top-10 hit. However, the Chingy track is unseated on Hot R&B/Hip-Hop Songs, falling 1 to 3 as Janet Jackson and Nelly's "Call on Me" reclaims the peak position. It's the first of Jackson's 15 No. 1s on this chart to reclaim the honor after falling from the summit.
Rounding out the Hot 100's top 10, the Pussycat Dolls' "Buttons" featuring Snoop Dogg holds at No. 10, while Sugarland's "Want To" is the chart's top debut at No. 41. It's the highest Hot 100 entry for a country act since the Dixie Chicks' "Not Ready to Make Nice" opened at No. 28 in late April.
Also new are Rob Thomas' "Streetcorner Symphony" (No. 76), Fergie's "Fergalicious" featuring will.i.am (No. 79), Mat Kearney's "Nothing Left to Lose" (No. 93), Akon's "Smack That" featuring Eminem (No. 95), Alan Jackson's "Like Red on a Rose" (No. 96), Mary J. Blige's "Take Me as I Am" (No. 97), and Brown Boy's "Superman" (No. 99).
Paulina Rubio's "Ni Una Sola Palabra" notches a second week atop Hot Latin Songs, while Natasha Bedingfield's "Unwritten" fronts Adult Contemporary for a fourth frame. George Strait's "Give It Away" maintains the pole position on Hot Country Songs for a second week.
The Red Hot Chili Peppers' "Tell Me" remains No. 1 on the Modern Rock chart for a third week, and Stone Sour's "Through Glass" holds atop Mainstream Rock for the same span.
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