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Before the Dawn Heals Us is M83's follow-up to the 2003 international breakthrough Dead Cities, Red Seas & Lost Ghosts. If you're noticing a trend toward drifting album titles, that's deliberate -- M83 mastermind Anthony Gonzalez loves crafting antigravity masterpieces of layered and meandering synthesizers. He's also the principal player on Dawn, with previous collaborator Nicolas Fromageau having moved into solo work. Left to his own devices, Gonzalez has made a more cohesive record than Dead Cities. As nice as they were, that album's synthesized soundscapes tended to drift into a foggy territory between Boards of Canada and Tangerine Dream. Dawn remedies that with the addition of vocals, more consistent beats, and a cinematic pace. "Teen Angst" and "Don't Save Us From the Flames" pin gorgeous melodies to an indie electronic sound comparable to the Notwist; "Flames" in particular is a great departure, roaring out of the gate with giddy drum fills and an oscillating keyboard squiggle. "Farewell/Goodbye" is an icy, Air-ish duet between Ben of Cyann & Ben and Big Sir vocalist Lisa Papineau; it's not the most effective thing on Before the Dawn Heals Us, but it works as a love theme to the imaginary Michael Mann film Gonzalez seems at times to be directing. (Check out that cover art.) The album also has its stretches of instrumental wander. "I Guess I'm Floating," for example, features a scattered sample of children's laughter over lingering keyboard flourishes. But Gonzalez never gets carried away on the breeze -- he'll set a mood, but he'll cut it wide open, too. "Let Men Burn Stars" is a breathy and innocuous lull before the recording's most intense passage, "Car Chase Terror." "Look at my hands, I'm shaking...." a woman (actress Kate Moran) says over the hiss of crickets, her words tense with fear. A moody electronic pulse fades in, and suddenly you're in the midst of the chase, narrated by the same scared voice -- "Turn the key! Go! Go!" -- and the melody is melodramatic and terrifying all at once. Before the Dawn Heals Us is ambitious for sure, an emphatic step forward from the linger of Dead Cities. But it might also be a transition album for Gonzalez, a storyboard of where he'll take M83 next. ~ Johnny Loftus, All Music Guide
The Raconteurs unveil US tour
With their Broken Boy Soldiers album in stores today, the collabo between Jack White, Brendan Benson, and the Greenhornes announces North American tour dates.
With their debut album in stores, a heap of buzz surrounding them, and no US tour dates on the docket until Lollapalooza, it was only a matter of time until the Raconteurs unveiled a summer tour across North America.
The group, a collabo between Jack White of the White Stripes, Brendan Benson, and the Greenhornes, did just that today.
The Raconteurs, whose first single "Steady As She Goes" has been gathering steam on rock radio charts for weeks, will kick off the tour July 16 at Denver's Fillmore Auditorium and close it out at Cleveland's House of Blues August 6. The run will include shows all over the West Coast and several major stops in the Midwest.
In support of their debut album, Broken Boy Soldiers, the Raconteurs will do an in-store promotion at Tower Records in NYC and a performance on Late Night with Conan O'Brien--both on Thursday.
The band is also set to play a series of major European festivals in June and July, including the Wireless Festival in London and the Roskilde Festival in Denmark.
Check the band's Web site for presale info.
The Raconteurs' North American tour dates:
7-16 Denver, CO - Fillmore Auditorium
7-18 Tempe, AZ - Marquee Theatre
7-19 San Diego, CA - Soma
7-21 Los Angeles, CA - Wiltern Theatre
7-23 San Francisco, CA - Warfield Theatre
7-25 Portland, OR - Roseland Theatre
7-26 Vancouver, British Columbia - Malkin Bowl
7-27 Seattle, WA - Moore Theatre
8-3 Minneapolis, MN - First Avenue
8-4 Chicago, IL - Grant Park (Lollapalooza)
8-5 Ann Arbor, MI - Michigan Theatre
8-6 Cleveland, OH - House of Blues
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